Program

Henri Duparc (1848-1933)
L’invitation au voyage
Phydilé

Richard Wagner (1813-1883)
Extase, WWV 54

Henri Duparc (1848-1933)
Extase

Richard Wagner (1813-1883)
Wesendonck-Lieder, WWV 91:
    Der Engel
    Stehe still!
    Im Treibhaus
    Schmerzen
    Träume

• • • 

Richard Wagner (1813-1883)
Mignonne, WWV 57

Henri Duparc (1848-1933)
Romance de Mignon

Franz Liszt (1881-1886)
Mignons Lied, S. 275
Ihr Glocken von Marling, s. 328
Oh! Quand je dors, S. 382

Richard Wagner (1813-1883)
Dors, mon enfant, WWV 53

Franz Liszt (1881-1886)
Angiolin dal biondo crin, S. 269
From Tre Sonetti del Petrarca, S. 270: 1. Pace non trovo

(70 min.)

Fryderyk Chopin (1810-1849)
Twelve Études, Op. 10

• • • 

Fryderyk Chopin (1810-1849)
Twelve Études, Op. 25
Trois nouvelles études

(40 min.)

Works by various composers.

“Learn by Listening”, for children aged 3 to 6.

Free admission.

Coordinated by Paola Colombo Mazzucchelli.

6:30 PM – Free guided tour of the museum.

8:00 PM – Concert

Johannes Brahms (1833-1897)
Three Intermezzi, Op. 117:
    Andante moderato
    Andante non troppo con molta espressione
    Andante con moto

György Kurtág (1926)
From Játékok:
    Book III, No. 26, Hommage à Farkas Ferenc 3 (Evocation of Petrushka)
    Book III, No. 4, (thus it happened)
    Book III, No. 31, Hommage à Christian Wolff (Half-Asleep)
    Book V, No. 7, La fille aux cheveux de lin – enragée

Béla Bartók (1881-1945)
Out of Doors:
    With Drums and Pipes, Pesante
    Barcarolle, Andante
    Musettes, Moderato
    Night Music, Lento
    The Chase, Presto

• • • 

David Newman (1954)
Antipodal Rag 

Robert Schumann (1810-1856)
Carnaval, Op. 9

(70 min.)

Johannes Brahms (1833-1897)
Symphony No. 3 in F major, op. 90, piano duet version:
    Allegro con brio
    Andante
    Poco allegretto
    Allegro

• • • 

Johannes Brahms (1833-1897)
Quartet No. 2 in A major, Op. 26, for piano and strings:
    Allegro non troppo
    Poco adagio
    Scherzo: Poco allegro
    Finale, Allegro

(90 min.)

Giovanni Bergamasco (1897-1963)
Costanza, marcia brillante (film A Farewell to Arms)

Fernando Francia (1935-2023)
Il circo

Giuseppe Verdi (1813-1901)
Verdi Medley, arr. Norbert Studnitzky

Corpo Musicale “Vittorio Veneto” di Tremezzo

Franz Liszt (1811-1886)
Studio da concerto S.145 n. 2 “Gnomenreigen” (film Allegro)

Edvard Grieg (1843-1907)
From Peer Gynt Suite No. 1, Op. 46: Morning

Giuseppe Verdi (1813-1901)
Valzer brillante (film Il gattopardo / The Leopard)

Johannes Brahms (1833-1897)
Rhapsodie in G minor, Op. 79, No. 2 (film Song of Love)

Ennio Morricone (1928-2020)
Play Love (film La leggenda del pianista sull’oceano / The Legend of 1900)

Nicola Piovani (1946)
La vita è bella (film La vita è bella / Life is Beautiful)

• • •

Johann Sebastian Bach (1685-1750)
From The Well-Tempered Clavier:
    Prelude No. 8, BWV 853 (film Nostalghia)
    Prelude No. 10, BWV 855 (film Shame)

Schubert/Liszt
Ständchen, S. 559a (film The Young Victoria)

Johannes Brahms (1833-1897)
From 16 Waltzes, Op. 39: No. 15 (film Little Women)

Astor Piazzolla (1921-1992)
Libertango (films Frantic, The Tango Lesson, Le Pont du Nord)

Sergej Prokofiev (1891-1953)
From Six Pieces from Cinderella, Op. 102:
    No. 1, Cinderella and the Prince

Gustav Mahler (1860-1911)
From the Fifth Symphony: Adagietto, arr. Alexandre Tharaud (film Death in Venice)

Addinsell/Molnar
Variations on Warsaw Concerto (film Dangerous Moonlight)

(85 min.)

Marcel Tournier (1879-1951)
Au matin, étude de concert

Jean-Philippe Rameau (1683-1764)
From Nouvelles suites de pièces de clavecin: L’Égyptienne

Marie-Martin Marin (1769-1861)
Sonata in C Major, Op. 32:
    Allegro maestoso
    Minuetto. Presto
    Adagio
    Toccata. Vivacissimo

Paul Hindemith (1895-1963)
Harp Sonata:
Mäßig schnell
Lebhaft
Sehr langsam

Maurice Ravel (1875-1937)
From Ma mère l’oye: Laideronnette, impératrice des pagodes

Ottorino Respighi (1879-1936)
From Antiche arie e danze per liuto, 3rd suite: Siciliana

Nino Rota (1911-1979)
Sarabanda e Toccata

(44 min.)

Francesco Paolo Tosti (1846-1916)
Malìa, tenor
Non t’amo più, tenor
Ideale, tenor
Lasciami! Lascia ch’io respiri, soprano

Giuseppe Verdi (1813-1901)
Ave Maria, soprano
Non t’accostare all’urna, baritone 

Giacomo Puccini (1858-1924)
E l’uccellino, soprano

Stanislao Gastaldon (1861-1939)
Musica proibita, baritone

Francesco Paolo Tosti (1846-1916)
La serenata, soprano, baritone

Salvatore Cardillo (1874-1947)
Core ‘ngrato, tenor

Francesco Paolo Tosti (1846-1916)
L’alba separa dalla luce l’ombra, tenor

• • • 

Jacques Offenbach (1819-1880)
From Les contes d’Hoffmann:
    Il était une fois à la cour d’Eisenach, tenor

Georges Bizet (1838-1875)
From Carmén:
    Je dis que rien ne m’épouvante, soprano

From Les pêcheurs des perles:
    Au fond du temple saint, tenor, baritone

Giuseppe Verdi (1813-1901)
From Don Carlo:
    Don Carlo, ascolta… io morrò, baritone

Giuseppe Verdi (1813-1901)
From Traviata:
    Parigi, o cara, soprano, tenor 

Ruggero Leoncavallo (1857-1919)
From I Pagliacci:
    No, più non m’ami…, soprano, baritone 

Giacomo Puccini (1858-1924)
From La Bohème:
    Che gelida manina, tenor

Gaetano Donizetti (1797-1848)
From L’elisir d’amore:
    Tran, tran, tran, soprano, tenor, baritone

(80 min.)

Coordinated by Paola Colombo Mazzucchelli, Head of LacMus Education.

Michael Amorosi (1947-2000)
Two Medieval Dances

Marin Marais (1656-1728)
Les Folies d’Espagne

Johann Sebastian Bach (1685-1750)
From the Partita in E minor, BWV 996:
    II. Allemande
    IV. Sarabande
    V. Bourrée

Georg Philipp Telemann (1681-1767)
Fantasia No. 7 in D major, for solo flute

Christoph W. Gluck (1714-1787)
From Orfeo ed Euridice: Danza degli spiriti beati

François Borne (1840-1920)
From Fantaisie brillante sur Carmén:
    Habanera et variations

Clémence de Grandval (1828-1907)
Valse mélancolique

Salvador Espasa Cháfer (1957-)
Argos, for solo flute

Gabriel Fauré (1845-1924)
Sicilienne, Op. 78

Astor Piazzolla (1921-1992)
From Histoire du tango:
    Café 1930

Stefania Scapin (1992)
Rūmī – Danza d’Oriente, for solo harp

Béla Bartók (1881-1945)
Romanian Folk Dances

(70 min.)

Wolfgang A. Mozart (1756-1791)
From Le nozze di Figaro:
    Ouverture
    Non so più cosa son cosa faccio, mezzo
    Se vuol ballare, bass
    Dove sono i bei momenti, soprano

Gaetano Donizetti (1797-1848)
From La Favorita:
    O mio Fernando, mezzo

Gioachino Rossini (1892-1868)
From Il Barbiere di Siviglia:
    La calunnia, bass

Vincenzo Bellini (1801-1835)
From Norma:
    Casta diva, soprano

Gioachino Rossini (1892-1868)
From L’Italiana in Algeri:
    O che muso, mezzo, bass

• • • 

Sergej Rachmaninov (1875-1941)
From Aleko:
    Men’s Dance
    Vyes’ tabor spit, bass

Giuseppe Verdi (1813-1901)
From Don Carlo:
    Ah! Più non vedrò… O don fatale, mezzo

Pyotr Ilych Tchaikovsky (1840-1893)
From Eugene Onegin: Prince Gremin’s Aria, bass

Giuseppe Verdi (1813-1901)
From Un ballo in maschera:
    Morrò, ma prima in grazia, soprano

Camille Saint-Saëns (1835-1921)
From Samson et Dalila:
    Mon cœur s’ouvre à ta voix, mezzo

Giuseppe Verdi (1813-1901)
From La forza del destino:
    Pace, pace, mio Dio, soprano

Jacques Offenbach (1819-1880)
From Les Contes d’Hoffmann:
    Belle nuit, o nuit d’amour, soprano, mezzo

Wolfgang A. Mozart (1756-1791)
From Così fan tutte:
    Soave sia il vento, soprano, mezzo, bass

(83 min.)

Johannes Brahms (1833-1897)
Tragische Ouvertüre, Op. 81
From Hungarian Dances:
    1. Allegro molto
    4. Poco sostenuto
    5. Allegro
    6. Vivace

Franz Liszt (1811-1886)
Fantasie über ungarische Volksmelodien, S. 123

• • •

Richard Wagner (1813-1883)
From Tristan und Isolde: Liebestod

Franz Liszt (1811-1886)
Totentanz, S. 126
Les Préludes, S. 97

(40 min.)

Piazza Campidoglio

Eugène Bozza (1905-1991)
Jour d’été à la montagne:
    Pastorale
    Au bord du torrent
    Le Chant des forêts
    Ronde 

Quartetto Prisma: Camilla Gasparetto, Alice Paglia, Damiano Bodi, Vittorio Nissotti, flutes

Villa Monastero

Wolfgang A. Mozart (1756-1791)
Divertimento No. 1 in B flat major, K. 439b:
    Allegro
    Menuetto, Allegretto
    Adagio
    Menuetto
    Rondò, Allegro

Giuseppe Garbarino (1937)
From Old American Trios:
    Boston Top Dance

Amber Trio: Gaia Zecchini, Fabio Bargiga, Manuel Ticozzi, clarinets

Piazzetta Brenna

Wolfgang A. Mozart (1756-1791)
Quartet in F major, K. 370, for oboe and strings:
    Allegro
    Adagio
    Rondò, Allegro

Les Folies Quartet:
Lorenzo Bobbio, oboe
Samuele Preda, violin
Silvia Rossi, viola
Isabella Maria Veggiotti, cello

(38 min.)

• • • 

Chiesa di Sant’Eufemia

Girolamo Frescobaldi (1583-1643)
From the Second Book: Toccata I, organ

Johann Sebastian Bach (1685-1750)
From Suite No. 1 in G major, BWV 1007, baroque cello:
    I. Prélude
    II. Allemande
    III. Sarabande

Chromatic Fantasy and Fugue, BWV 903, harpsichord

Sonata in G Major, BWV 1027, baroque cello, harpsichord:
    Adagio
    Allegro ma non tanto
    Andante
    Allegro moderato

Lucia Swarts, baroque cello
Ilya Poletaev, organ, harpsichord

(37 min.)

• • • 

Chiesa di Sant’Eufemia

Girolamo Frescobaldi (1583-1643)
From the Second Book: Toccata I, piano

Johann Sebastian Bach (1685-1750)
From Suite No. 1 in G major, BWV 1007, modern cello:
    I. Prélude
    II. Allemande
    III. Sarabande

Chromatic Fantasy and Fugue, BWV 903, piano

Sonata in G Major, BWV 1027, modern cello and piano:
    Adagio
    Allegro ma non tanto
    Andante
    Allegro moderato

Lucia Swarts, modern cello
Ilya Poletaev, piano

(37 min.)

Giacomo Puccini (1858-1924)
From Edgar:
    Prelude to Act III , instrumental
    Addio mio dolce amor

Pietro Mascagni (1863-1945)
From L’amico Fritz:
    Intermezzo, instrumental
    Son pochi fiori

Francesco Cilea (1866-1950)
From Adriana Lecouvreur:
    Instrumental paraphrase
    Io son l’umile ancella

Giacomo Puccini (1858-1924)
Paraphrase of themes from Trittico , instrumental
From Gianni Schicchi: O mio babbino caro

Giuseppe Verdi (1813-1901)
From Otello:
    Canzone del salce, instrumental
    Ave Maria

Gioachino Rossini (1892-1868)
From Il signor Bruschino: Ouverture, instrumental

(48 min.)